I wondered why such an ordinary episode could have been so good, and then I saw who wrote it: Mr Little is in the building again. The only thing spoiling the episode was the brief appearance of Tina the Loon and Sonia, arguably the vilest character ever to appear on the programme and played by one of the worst actresses.
Get these people off my television screen, please.
On the other hand, this was an episode whih was really well-enacted, one of those minimalist episodes with few characters, but which offers much.
Lindsey Coulson owned that episode. And Karl Howman, and - if I may say so - Richard Blackwood. Kudos, for his understated performance, to James Bye, who really came into his own tonight.
The Importance of Being Honest. Look, I don't like the Kush-Stacey association anymore than anyone else, but tonight saw the love triangle become a love square, with the duplitious inclusion of Martin into the mix.
Like everyone else, I'm befuddled at how this mutual attraction has simply come out of the blue, especially since, in the early days, Stacey did everything in her power to encourage Shabnam with Kush,with no attraction on either part at all. There wasn't even a hint that Stacey was atracted to Kush. Then we had the drunken kiss of a man, presumed to have been dumped by his girlfriend, a man on the rebound, preying on a young woman, a single mother, alone, isolated, lonely and very vulnerable.
Then there was the silly dance rehearsal, where Kush reckoned that Stacey made a move that reminded him of his dead wife, and since then, she's been hard put to hide her jealousy from the woman who's supposed to be her best friend - so much so, that she's sulky, cold and rude to her at the flat, where Shabnam has sought refuge from the intolerable situation in her home. Shabnam isn't that stupid. She's even noticed this behaviour.
Stacey's regressed into a recalcitrant adolescent, complete with a face like a smacked arse, petulant because she can't have - as she describes him - "the man that shewants. Note that Stacey doesn't use the word "love." Kush is a bit of beefcake she wants to experience in bed. Kush is equally in lust.
At least, for the moment, Kush is attempting to make sacrifices for the woman he loves, and he does love Shabnam. He's fasting for Ramadan, for the first time, finding it hard, and enduring it. For Shabnam. He was even put off by Masood's hypocritical offer to Kush only, to break bread the following week with him and Tamwar. Shabnam excluded.
The character, however, who came into his own tonight was James Bye's Martin Fowler. I totally get it that people had a hard time adjusting to a role which James Alexandriou essentially made his own. We've seen this Martin, on the one hand, as a socially gauche and awkward bore, a failure who's lost his home and business, whose arrival was preceded by atrocious publicity in the form of extreme trash-talking by his vile and pukeworthy wife, Sonia.
We've watched him awkwardly try to become involved romantically with Stacey by awkward come ons. To me, he reminded me of Bradley, who was geeky to Martin's inarticulace, but tonight, we got to see Martin let down his guard. I thought Stacey was rude to him when he invited her to accompany him to the allotments, where he was looking after Patrick's patch. Martin admitted that he liked gardening, he found it cleared his head. But Stacey's head doesn't need clearing - well, not at that time. However, she found listening to Shabnam's and Kush's easygoing antics in the kitchen too much and, surprisingly, she shows up at the allotment.
The scene between her and Martin was one of the most poignant scenes this year on the programme. For the first time, we heard Martin speak about his emotional attachment to the allotments, how much they meant to Arhur and how Arthur had brought him to his allotment ever since he was a young child. He remembered eating strawberries, reckoning no one grew strawberries to match Arthur's.
Martin's offering of a strawberry to Stacey is sorta kinda symbolic of a take on the offer of the apple in the Garden of Eden, but i a skewed way. Even offered Adam the apple of temptation in the Garden of Eden. Here, a smitten Martin offered Stacey fruit, in the way that he's saying he's open to be tempted, wants to be tempted, but he's not succeeding in tempting Stacey.
Still, they do bond in a far more meaningful way, with Martin opening up about Arthur's death and how much he missed him. He lost his father at ten, Stacey lost hers at eleven, and both wished that for a moment their dads could come back. Stacey and Martin have both lost fathers, and they've both killed Mitchells. I would say that this is the first time Martin has opened up about his feelings to anyone. Sonia's head was too far up her own arse to notice or care about Martin's feelings.
He finds Stacey easy and natural, she only wants a mate. And here's the rub. When Stacey returns to the flat, she can't bear to see Shabnam and Kush together and approaches Martin in his room. It's Stacey with the come-on here, much to Martin's surprise.
Line (and lie) of the night:-
I ain't messing you about.
But you are, Stacey. Once again, Martin will be used, and in the cruelest of ways. So now we have our victims established in this cruel game of lies and deceit - Shabnam and Martin, and I'm betting that Martin will end up picking up the pieces that Stacey leaves behind ... because he loves her.
The Miracle Known as Carol. If I never liked Carol at all, I'd bloody love her from tonight onward simply because of the Class A way she handed the vile Sonia her pukeworthy arse.
I can't ever remember a character as vile as Sonia. Her self-righteousness is worse than Jane's, her sense of superiority is atrocious and together,she and Tina are the worst characters in the programme. I'd rather watch wall-to-wall Les Coker than ten minutes of the awful Sonia and Tina. Tonight, it's all about food going missing, and Sonia's determined that Liam's got some sort of eating disorder.
I'm a nurse, I'm trained to notice these things.
Sonia's good at interfering. To her credit, even Tina doesn't intefere that much. When Carol was forced to tell her that her black eye was down to Shirley, Tina offered to have a word, but backed down when Carol demurred. But Carol was at her absolute best when she put her shitty daughter in her place.
You'd be better off paying more attention to Rebecca and leave Liam to me. He's my responsibility.
Yes! That was an air-punch moment. Because we all know that Sonia is a hateful and abusive parent, who finds Rebecca an inconvenience, and who puts her own wants and desires before her daughter and her girlfriend before her child.
Oh, and the brilliant put-down scene between Carol and Sonia, when she confronted her in the front room, as Sonia lolled in front of the television, clad only in her dressing gown.
Oi! I was watching that! she whined when Carol turned the television off. She rightly ticked her off because Sonia had presumed to speak to Liam, suspecting he had some sort of eating disorder or was being bullied, in a butt-clenchingly awful scene. You could tell Liam thought she was bonkers and just wanted her out of there. Carol had also noticed Sonia harping at Liam to get a job, where Carol wanted to let him relax until the end of the month (only a week to go) before trying to find a job.
Carol rightly accused Sonia of interfering when she'd pointedly asked her to leave Liam alone, and Sonia disregarded her request, callously so, in her arrogant belief that she knew more than Carol. To Carol goes the absolute line of the night:-
You made him feel uncomfortable. In his own home. A home he's lived in long before you decided to spice up your life!
And there's that look again. The same look of dark mutiny in Sonia's face that Tina had when Whitney told her to start pulling her weight around the house.
Of course the twist in the tale was Liam's behaviour, his locking his bedroom door - funny, I thought there was a lock on it when he was in the Gangabanga storyline, but most of us guessed that Liam was hiding Cindy, even though Carol was more than surprised to see her emerge from under his bed. The mind boggles how her presence wasn't made known as there seems to be always someone in that house.
Daddy Issues. At the moment, the two most positive male characters are Patrick and Buster. Buster still wants to continue his friendship with Carol, but without Shirley's knowledge, and Shirley is all caught up in getting a child for Dean, or rather, getting Dean's child back. If this were the morning after the day before, those DNA tests were quick.
Buster is a decent man. He's upset that Shirley "door-stepped" Jade's foster father for a snip of her hair to prove paternity, and Shirley points out how "vile" the man was to accept her two hundred quid so easily. Really, Shirley? That makes you better than he? Yes, you get paid for fostering children, but not enough to make a fortune, and it was wrong for Vincent to presume that this man is a toerag because he accepted money in the middle of the night for the reason he did. Claudette may have filled her foster home with love, but I daresay she would have accepted a quick two hundred quid for providing parents showing up in the middle of the night, wanting to prove a DNA link with one of her charges - if only for the inconvenience of waking her up. Besides, Claudette's taken money and gifts in a far more immoral fashion than the foster father, but let's condemn him all around without knowing the facts.
Rest assured that the foster father looking after Jade isn't a drunk; he doesn't have a police record; and he hasn't been accused of rape. The kid is far better off in that household than she would be living with a drunk who regularly absconds when the going gets tough, who's shot someone, who's tried to drown her oldest child and who abandoned her other three, a father who's an accused sex offender, and not real home of their own, although Dean is wittering on about getting something with three bedrooms.
In the meantime, Dean's being summoned for sexual activity with Roxy - why do I have the feeling that another pregnancy is on its way, or that maybe Dean the sociopath might try something with Ronnie the psychopath.
Here's a helpful definition of Ronnie and Dean:-
Psychopath vs Sociopath
Buster, however, is more concerned with Dean, and whilst he can't open up to Shirley, he finds a willing ear in Vincent. Take Vincent away from the appalling "blue eyes" gangsta character or someone egging Kim on, and you've got a decent character, and Richard Blackwood wasn't bad tonight. Over a game of chess, Buster confesses that Dean had a strange look in his eyes during their conversation at Blades the other night, and he'd only seen that look in the face of a fellow prisoner during one of his stints inside, and it didn't end pretty.
We all know from Thursday's episode that Buster now believes Dean raped Linda. He knows better than anyone else that a replacement child isn't going to change Dean, and we wonder what Shirley's reaction is going to be when she twigs that Dean is duffing Roxy Mitchell. I was intrigued by Buster's analogy of Dean to the man he knew in prison. Was he a rapist also? As bad as it is to say it, it's heartening to hear Buster's foreshadowing of Dean's messy end, although I daresay, TPTB don't know, themselves, what that end will be.
Buster's got the DNA results, after having talked to Shirley about Dean, in a conversation we weren't allowed to see (too much happening off-screen), and now he's got the DNA results, which he promptly destroys.
I'm betting Dean is Jade's father. More's the pity.
Get these people off my television screen, please.
On the other hand, this was an episode whih was really well-enacted, one of those minimalist episodes with few characters, but which offers much.
Lindsey Coulson owned that episode. And Karl Howman, and - if I may say so - Richard Blackwood. Kudos, for his understated performance, to James Bye, who really came into his own tonight.
The Importance of Being Honest. Look, I don't like the Kush-Stacey association anymore than anyone else, but tonight saw the love triangle become a love square, with the duplitious inclusion of Martin into the mix.
Like everyone else, I'm befuddled at how this mutual attraction has simply come out of the blue, especially since, in the early days, Stacey did everything in her power to encourage Shabnam with Kush,with no attraction on either part at all. There wasn't even a hint that Stacey was atracted to Kush. Then we had the drunken kiss of a man, presumed to have been dumped by his girlfriend, a man on the rebound, preying on a young woman, a single mother, alone, isolated, lonely and very vulnerable.
Then there was the silly dance rehearsal, where Kush reckoned that Stacey made a move that reminded him of his dead wife, and since then, she's been hard put to hide her jealousy from the woman who's supposed to be her best friend - so much so, that she's sulky, cold and rude to her at the flat, where Shabnam has sought refuge from the intolerable situation in her home. Shabnam isn't that stupid. She's even noticed this behaviour.
Stacey's regressed into a recalcitrant adolescent, complete with a face like a smacked arse, petulant because she can't have - as she describes him - "the man that shewants. Note that Stacey doesn't use the word "love." Kush is a bit of beefcake she wants to experience in bed. Kush is equally in lust.
At least, for the moment, Kush is attempting to make sacrifices for the woman he loves, and he does love Shabnam. He's fasting for Ramadan, for the first time, finding it hard, and enduring it. For Shabnam. He was even put off by Masood's hypocritical offer to Kush only, to break bread the following week with him and Tamwar. Shabnam excluded.
The character, however, who came into his own tonight was James Bye's Martin Fowler. I totally get it that people had a hard time adjusting to a role which James Alexandriou essentially made his own. We've seen this Martin, on the one hand, as a socially gauche and awkward bore, a failure who's lost his home and business, whose arrival was preceded by atrocious publicity in the form of extreme trash-talking by his vile and pukeworthy wife, Sonia.
We've watched him awkwardly try to become involved romantically with Stacey by awkward come ons. To me, he reminded me of Bradley, who was geeky to Martin's inarticulace, but tonight, we got to see Martin let down his guard. I thought Stacey was rude to him when he invited her to accompany him to the allotments, where he was looking after Patrick's patch. Martin admitted that he liked gardening, he found it cleared his head. But Stacey's head doesn't need clearing - well, not at that time. However, she found listening to Shabnam's and Kush's easygoing antics in the kitchen too much and, surprisingly, she shows up at the allotment.
The scene between her and Martin was one of the most poignant scenes this year on the programme. For the first time, we heard Martin speak about his emotional attachment to the allotments, how much they meant to Arhur and how Arthur had brought him to his allotment ever since he was a young child. He remembered eating strawberries, reckoning no one grew strawberries to match Arthur's.
Martin's offering of a strawberry to Stacey is sorta kinda symbolic of a take on the offer of the apple in the Garden of Eden, but i a skewed way. Even offered Adam the apple of temptation in the Garden of Eden. Here, a smitten Martin offered Stacey fruit, in the way that he's saying he's open to be tempted, wants to be tempted, but he's not succeeding in tempting Stacey.
Still, they do bond in a far more meaningful way, with Martin opening up about Arthur's death and how much he missed him. He lost his father at ten, Stacey lost hers at eleven, and both wished that for a moment their dads could come back. Stacey and Martin have both lost fathers, and they've both killed Mitchells. I would say that this is the first time Martin has opened up about his feelings to anyone. Sonia's head was too far up her own arse to notice or care about Martin's feelings.
He finds Stacey easy and natural, she only wants a mate. And here's the rub. When Stacey returns to the flat, she can't bear to see Shabnam and Kush together and approaches Martin in his room. It's Stacey with the come-on here, much to Martin's surprise.
Line (and lie) of the night:-
I ain't messing you about.
But you are, Stacey. Once again, Martin will be used, and in the cruelest of ways. So now we have our victims established in this cruel game of lies and deceit - Shabnam and Martin, and I'm betting that Martin will end up picking up the pieces that Stacey leaves behind ... because he loves her.
The Miracle Known as Carol. If I never liked Carol at all, I'd bloody love her from tonight onward simply because of the Class A way she handed the vile Sonia her pukeworthy arse.
I can't ever remember a character as vile as Sonia. Her self-righteousness is worse than Jane's, her sense of superiority is atrocious and together,she and Tina are the worst characters in the programme. I'd rather watch wall-to-wall Les Coker than ten minutes of the awful Sonia and Tina. Tonight, it's all about food going missing, and Sonia's determined that Liam's got some sort of eating disorder.
I'm a nurse, I'm trained to notice these things.
Sonia's good at interfering. To her credit, even Tina doesn't intefere that much. When Carol was forced to tell her that her black eye was down to Shirley, Tina offered to have a word, but backed down when Carol demurred. But Carol was at her absolute best when she put her shitty daughter in her place.
You'd be better off paying more attention to Rebecca and leave Liam to me. He's my responsibility.
Yes! That was an air-punch moment. Because we all know that Sonia is a hateful and abusive parent, who finds Rebecca an inconvenience, and who puts her own wants and desires before her daughter and her girlfriend before her child.
Oh, and the brilliant put-down scene between Carol and Sonia, when she confronted her in the front room, as Sonia lolled in front of the television, clad only in her dressing gown.
Oi! I was watching that! she whined when Carol turned the television off. She rightly ticked her off because Sonia had presumed to speak to Liam, suspecting he had some sort of eating disorder or was being bullied, in a butt-clenchingly awful scene. You could tell Liam thought she was bonkers and just wanted her out of there. Carol had also noticed Sonia harping at Liam to get a job, where Carol wanted to let him relax until the end of the month (only a week to go) before trying to find a job.
Carol rightly accused Sonia of interfering when she'd pointedly asked her to leave Liam alone, and Sonia disregarded her request, callously so, in her arrogant belief that she knew more than Carol. To Carol goes the absolute line of the night:-
You made him feel uncomfortable. In his own home. A home he's lived in long before you decided to spice up your life!
And there's that look again. The same look of dark mutiny in Sonia's face that Tina had when Whitney told her to start pulling her weight around the house.
Of course the twist in the tale was Liam's behaviour, his locking his bedroom door - funny, I thought there was a lock on it when he was in the Gangabanga storyline, but most of us guessed that Liam was hiding Cindy, even though Carol was more than surprised to see her emerge from under his bed. The mind boggles how her presence wasn't made known as there seems to be always someone in that house.
Daddy Issues. At the moment, the two most positive male characters are Patrick and Buster. Buster still wants to continue his friendship with Carol, but without Shirley's knowledge, and Shirley is all caught up in getting a child for Dean, or rather, getting Dean's child back. If this were the morning after the day before, those DNA tests were quick.
Buster is a decent man. He's upset that Shirley "door-stepped" Jade's foster father for a snip of her hair to prove paternity, and Shirley points out how "vile" the man was to accept her two hundred quid so easily. Really, Shirley? That makes you better than he? Yes, you get paid for fostering children, but not enough to make a fortune, and it was wrong for Vincent to presume that this man is a toerag because he accepted money in the middle of the night for the reason he did. Claudette may have filled her foster home with love, but I daresay she would have accepted a quick two hundred quid for providing parents showing up in the middle of the night, wanting to prove a DNA link with one of her charges - if only for the inconvenience of waking her up. Besides, Claudette's taken money and gifts in a far more immoral fashion than the foster father, but let's condemn him all around without knowing the facts.
Rest assured that the foster father looking after Jade isn't a drunk; he doesn't have a police record; and he hasn't been accused of rape. The kid is far better off in that household than she would be living with a drunk who regularly absconds when the going gets tough, who's shot someone, who's tried to drown her oldest child and who abandoned her other three, a father who's an accused sex offender, and not real home of their own, although Dean is wittering on about getting something with three bedrooms.
In the meantime, Dean's being summoned for sexual activity with Roxy - why do I have the feeling that another pregnancy is on its way, or that maybe Dean the sociopath might try something with Ronnie the psychopath.
Here's a helpful definition of Ronnie and Dean:-
Psychopath vs Sociopath
Buster, however, is more concerned with Dean, and whilst he can't open up to Shirley, he finds a willing ear in Vincent. Take Vincent away from the appalling "blue eyes" gangsta character or someone egging Kim on, and you've got a decent character, and Richard Blackwood wasn't bad tonight. Over a game of chess, Buster confesses that Dean had a strange look in his eyes during their conversation at Blades the other night, and he'd only seen that look in the face of a fellow prisoner during one of his stints inside, and it didn't end pretty.
We all know from Thursday's episode that Buster now believes Dean raped Linda. He knows better than anyone else that a replacement child isn't going to change Dean, and we wonder what Shirley's reaction is going to be when she twigs that Dean is duffing Roxy Mitchell. I was intrigued by Buster's analogy of Dean to the man he knew in prison. Was he a rapist also? As bad as it is to say it, it's heartening to hear Buster's foreshadowing of Dean's messy end, although I daresay, TPTB don't know, themselves, what that end will be.
Buster's got the DNA results, after having talked to Shirley about Dean, in a conversation we weren't allowed to see (too much happening off-screen), and now he's got the DNA results, which he promptly destroys.
I'm betting Dean is Jade's father. More's the pity.
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